Its not that I can't be serious. I can be. I spent 12 hours of my Thursday being so serious, it wasn't quite right. Too serious.
But I chemically
have to keep the balance of serious and non-serious in check. Its a built-in mechanism that I almost have no control over; aside from where and when it happens.
After being serious and slightly tense all day, I need some humor. Is that irresponsible? Hm. Work, paychecks, insurance, this war, contagious diseases, my silly work-worries, hurt feelings, and so on and so on. But I tell you, not always, but usually, come evening, by gum, I
will be doing mental handstands and dancing in my 1000/14s.
There are a few quick-fixes which always effectively snap me out of it. Of course they change frequently, but currently, here are the top three:
The first I'd like to call the "who am I talking about" game.
The idea was launched one night at the Owl Bar. Whitney and I were standing at the old, dark bar and she recognized someone. Which happens a lot, she knows everyone down here. It is more than often that she spins around and says "Look at that person in the blue shirt, ok, right behind me...". I scan a sea of blue shirts and look at her perplexedly. This time however, she leaned in, and said: "At 2:00." I hate the clock-hint, it never makes sense to me: who's two o'clock? Mine? Yours? Still determined, she stated matter-of-factly: "Ok. If someone took a gun and shot me right through here", she pointed smack in the middle of her forehead, "and it went through the back of my head, it would definately hit her." She calmly sipped her wine looking in the direction the bullet would need to exit her head, and waited for me to make the connection.
I stared back at her in awe. That is fantastic. It escallated from there, "OK, if there was a wrecking ball suspended from the ceiling, and it came at my head at a speed of 40 mph..". Cannonballs. Blow-torches. "If someone stapled my eyes and lips shut, rolled me up in an old carpet, pushed me across the room, I would definately not be looking at her. Got it?" I think 3 straight hours over a table in New Orleans was spent on this very "game". I could barely stand up afterwards.
Second: Imagining the 100,000 things I could do in a business setting such as this that would just be so-- well, confusing.
And imagining the reactions. Right
here, right now. Chicken costume. Smoke a corncob pipe. Dance. Poop under my desk. Oh god, its working now.
Lastly, going
here. While it sort of makes me glad I am not in New York any longer (I may have had my share of groovy bars and crowded parties) I absolutely
love what the author/photographer and his friends get into. Namely Grant. He is the perfect photographic specimen. These guys do it right. Brian captures DLR kick-splits (thats David Lee Roth) in various public settings. He shoots everyone, everything, and Grant seems fearless.
Amoung my favorites include a black woman passing them on her cell phone, and releasing a colossal fart. Laughing and embarassed, she exclaimed into the phone what she just let slip. They chased her down and got her to pose for a picture with them. She's clearly laughing. Awesome. Another all time favorite is a series of late-night drunk photos around a dark bar booth. Shots of their freind getting hit on. Or so they thought. The (usually kind) caption stated: "..actually, this woman, whom none of us had ever met, got so drunk she passed out on him! (But not before she managed to have 10 drunken, pretend conversations on her cell phone.)"
Pretend conversations?
10? Dancing with 65 year old women. Its all there.
Yes. Its too heavy to live without splits, imaginary cannonballs, pictures with smiling gassy strangers and some kickin 1000/14s.